
Pattern, shape and rhythm spark ideas for my art in both mosaic and paper. I prefer to use simple tools such as scissors, a scalpel, nippers and manual glass-cutters. This enables me to feel more part of the process, more at one with what is evolving. It means that each artwork becomes a one-off and is never replicated. Step by step I follow in the direction that the work seems to be guiding me. Laser-cutters have their place and I have used them in the past but for me there is more of a relationship involved and therefore more fun when a piece is organically-made, manually handled from start to finish. Also it enables you to connect with me closely when you see the end design. I show my human-ness, my vulnerability when you see the inevitable imperfections and apparent flaws.
You may think it strange but I find there are great similarities between mosaic and paper. They both involve placing individual shapes, jigsaw fashion, onto a surface. My method at the moment means that they both end up as being quite flat which accentuates the shapes and patterns that emerge. It’s also possible to play around with the position of pieces, whether it is paper or mosaic tesserae, before choosing their final resting place. Sometimes it can take an age to decide the location of a few glass fragments or to decide the directional flow of a paper-cut before I am completely happy with it.
